The name of the series comes from a story, according to which Beethoven wanted a horse. He
admired the magnificent beast but forgot to feed it and the horse died. Beethoven's Horse is a
metaphor for the structural changes in sparsely populated areas of Finland. Old and abandoned
buildings were once magnificent and necessary, but now they have withered and died. No
longer useful, ruins with boarded windows are left behind. Each building has its own story and
often, it has already been forgotten.
Documentary style photography is part of my artistic expression. I want my images to have
cultural and historical significance.
The photographs tell us about the transformation of settlements and industry, the culture of consumption and our own current values. They have been taken in different parts of Finland. The series continues, and I am still constantly searching for new locations. Although over the past five years, I have already managed to document a wide range of places and their fate. Some of the places I have photographed have already been dismantled, but the change and their transition lives on in the memory of the photograph. A piece of the structural transformation has been frozen in time. Images from this series were first exhibited in 2015 and 2016 at four locations in the Czech Republic. In Finland, the photographs have only been exhibited at Studio Wäkevä in Mikkeli (2015) and a selection from the series (15 images) was on show at the Savonlinna Provincial Museum in Riihisaari in the autumn of 2018. The series is continually growing, and a large portion of the photographs have not yet been exhibited.
Veikko Halmetoja is a curator and art critic. In 2007, he wrote about the series Beethoven's
Horse in my exhibition catalogue Searching (Etsimässä).
"At first glance, it is easy to think that Sami Funke is a realistic documentary photographer, in
whose images the surrounding environment is center stage. However, when you spend more
time with the works, slowly more and more symbolic traits begin to appear. It is not farfetched
to consider them within the context of Romantic Era painting.
In this series of abandoned buildings, the buildings are solid individuals and beautiful in their
ruin. Through them, the structural changes in the countryside and sparsely populated areas are
realised. In fine art, Romanticism is not a cohesive style, it is a question of attitude and subject
matter. A certain type of emotional expression and
a spiritual connection with nature are characteristic of Romanticism. (...) Funke's photographs are infused with many similar meanings. Images of barn buildings reclaimed by nature, with collapsed roofs and roads covered by vegetation; evoke the fleeting nature of everything, the momentary existence of humans and the dominion of nature."
Käännös / translation: Anna Puhakka